its been a while since we have seen a release from dfrnt for on the edge, but im proud to announce, the wait is finally over! this ep provides us with an abundance of different flavours, but still retains the genius sound that is dfrnt at the very core of every tune. let me first draw to your attention to >the big freeze<. its a drum and bass track that has been moulded like a true pro. it sounds like dfrnt has been producing d+b for a long time with the finishes on this track, but believe its one of his earlier efforts. its a refreshing bpm for his take on electronic music and hope to hear more of the same from dfrnt soon. then dfrnt shows us what he is all about when he goes all out 4x4. a dirty, gritty techno roller (with a skip) that will blow your socks off! love the production on this one. then we have >monday morning<. this does exactly what it says on the tin, just the type of tune you need to bring you down after a heavy weekend. as though that wasnt enough, there is a 170 remix from man of the moment, indigo! support comes from: hatti vatti, synkro, versa, mary ann hobbs, kissy sell out, fused forces, loxy, dj rum, 501 and truth to name a few.

catalogue number ten at uncanny valley and for this occasion the dresden based label returns to its roots with another various artists ep. actually, this is long overdue since there are a lot more talented producers to find in the elbe valley. on uncanny valley 010 we present four of them. sandrow m who focussed on the c-beams project recently has been part of the label right from the start. with “the three trees” he makes his solo debut for uncanny valley. the track is a summery house tune that shines with garage vocals and warm synth pads. steve kasper is slowing it down with unvexed dub which is an immersed house excursion for the morning hours. on the flipside scherbes kill bills stumbles but does not fall. instead, the track lives from tottering interaction between bright percussions and fractious drones below. finally, its jacob stoy who closes the record with s51, a dreamy deep house study including heavenly pads and subtle drum programming. for the artwork we are very glad to welcome back paul waak and his colourful figures that gave the first four compilations their unique look!

moon harbour artist chris lattner joins up with karina junker for his perhaps last original track. >so he finally called?< rolls with a deep flow and melodic sound bites to the floor, while karina speaks with an incredibly sexy timbre. fabian reichelt & raycoux jr. & stefan barth - whether as driving, clubbing tech house, atmospheric deephouse dub or fabians slow down elektronika remix - by piano and voice all obsirnth variations get obtained in their own distinctive touch. latest news of raycoux&barth, the guys did it again with their new release >swing it like<. combined with / coupled with short vocal parts the catchy maintheme whips to the front. suitable for the dance floor from first kick until last hi-hat. with >deep flower<, pascal augner aka beatamines supplies a friendly tech house track that already divines the open air spirit. after his album on damm records, the erfurt guy is back on polar-rec to live out his deeper side. completly new is max nippert a young talent from gera. last year he earned a lot of respect at berlins club kater holzig with his energetic dj-sets. his first release is a bulky but atmospheric techno track.

limited 2012 repress - vinyl only release.
adrian niculae aka priku spins the deck since 2004 and since 07 he has been a full time member in the sunrise booking agency family. a constant figure at sunwaves festival at the black sea coast - romania, priku had gigs in ibiza, italy, ukraine, croatia, belgium and russia, currently focusing his creativity mostly on production. as his latest tunes are ready to take the call, at all inn black, priku uplifts the down tempo of the cold season, with these smooth and delirious beats. though it might trick you with its name, >monday swing< is a perfect match for a saturday night on the dance floor and, at the same time, could be one sharp play on a lazy mode afternoon..

almost a year since his last outing on idle hands, we are pleased to announce kowtons third excursion for the label. two tracks of heads down, bass heavy house music: minimum fuss, maximum effect. support from ben ufo, joy o and 2562.

loftsoul is the moniker of renowned dj uchikawa masahiko. he has been a dj for more than 25 years, and is deeply involved with the japanese nightclub scene since its early days. his borderless and genre-straddling playing style, from soul, jazz, dance classics, deep house, to techno tells of the impassioned music life of dj uchikawa masahiko. in addition to running regular parties at his club loft in nagano, (which has hosted djs such as joe claussell, jerome sydenham and glenn underground) and premier at loop, uchikawa has been recording tracks as loftsoul, and collaborating with pianist makoto kuriya as rhythm of elements. >soul inspiration< sees loftsouls continued collaboration with chicago house stalwart glenn underground alongside ricardo miranda aka the latin soul brothas. >soul inspiration< is a deliciously deep groove with trademark virtuoso piano for some esoteric soulful dance floor action. the b-side sees the latin soul brothas slow it down for them electronic soul of the moog mix. finally, dj uchikawa and hide koyama provide an essential dub.

formed in 2007 this duos djing and production skills have gone from strength to strength.
starting out on fling recordings, their first release miniminds was supported by mr c, being played in dc10 all summer followed by a radio 1 essential selection airplay by pete tong. later down the line xoe was used by mason in his radio 1 essential mix.

the title track on tychos long-awaited dive lp is just that — a ripple effect record that sounds like three songs in one, as if sound/graphic designer scott hansen just discovered progrock and decided to apply its winding passages to his own singular blend of sinewy synths and bleached beats. its also the first tycho song to feature a prominent guest musician, guitarist zac brown, in this case, who paints outside the lines of hansens halcyon hooks with restless rhythms and monorail-like riffs. the >dive< single fleshes things out even further, as keep shelly in athens and memoryhouse — both rising underground artists in their own right — cut hansens cloud-scraping composition in half and slow his cruise control chords down to a crawl. the misty vocal melodies are still there, but they are now floating through an embryonic assembly of jittery cicadas, rusty gears, and lean loops that are both welcoming and a bit woozy. the sonic equivalent of staring at the sun for too long, really, or two sides of the same cracked mirror.

excellent third release on the essential supafrico records featuring four absolutely stunning afro flavoured grooves dug deep from the vaults. first up we have a previously unreleased extended version of >hot black n sweet< by nigerian funkster kio amachree. taken from the über-rare 1981 >ivory< lp, this a slice of pure funk filled afro boogie led by a groovy phat bline, driving horn section and kios magnificent kid creole-esque vocals.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

haze lays down his first release on sin city, this time leaving his funtcase mask in the record bag to reveal his alter ego. maestro: step into the dub war soundclash. this dark aggy half step smasher will conquer any sound system! haze aka funtcase has leaped face first into the darkside, producing nothing more than pure dread. my selecta: round 1 to maestro the conquering lion, round 2 comes harder and faster. the revenge of the sound system. you can almost hear haze & funtcase battling it out in this one. half step movements shuffle into 4×4 kicks. dancefloor killer! both tracks supported by hatcha, n-type, walsh, tubby, funtcase, trolly snatcher, dismantle and benton.

special request is a new, hand-stamped series dedicated to capturing the energy of uk pirate radio, while pushing the boundaries of modern dancefloor music. the first special request 12inch features two absolute monster tracks from a legendary uk producer that has got planet e, hot flush and phonica records all on his cv. the ep opens with the >warehouse mix < of >lolita<– a menacing, eight minute long techno-meets-bass stomper that kicks off stripped down drum pattern – claps, hi-hat and a rubbery kick drum – that slowly gives way to an insistent riff that drills itself into your head and categorically refuses to leave. on the flip >alone< is a completely different beast, complete with breakbeats a plenty

der bonobo klassiker aus 2003 jetzt erstmalig als reissue auf vinyl inklusive mp3 download code erhältlich!

this next instalment of psychemagiks edit series is a two sided journey through the cosmos and back down to earth. first on the countdown screen is way milky. leading the inter-play between instruments is a deep hypnotic bass that creates a throbbing atmosphere for spacy 70s keys and inter-galactic sound effects. hiding in the background are funky drums and a lead guitar that dons a space suit goes exploring. ready for blast off? side b. make it mellow, >make it mellow< is that warm-you-through balearic bliss that this dynamic duo are masters of. a delicious edit, this encapsulates the sound of a lazy summer afternoon. spacy synths and guitars interwoven throughout, the searingly syncopated solo shines in the spotlight. complemented by chunky bass and soothing vocals that ease their way into your head, this epic summery edit rounds off this b side beautifully.

the third remix single taken from azymuths acclaimed 2011 studio album >aurora< (faro157cd/lp) is >ta nessa ainda bicho<. following monster sold-out mixes on 12 inch of azymuths >in my treehouse< (ltj xperience - jd19) and meu mengo (mark e - jd 21) comes this highly limited heavyweight 12 inch from influential uk garage, break beat garage, broken beat and dubstep pioneer producer zed bias and the alias maddslinky. limited to 350 numbered copies, heavy-weight vinyl.

its been a long time coming and definitely worth the wait - night audio is pleased to announce na004, a 4 track ep from milyoo entitled >classic<, with three original tracks backed with a remix from vvv.

jeremy greenspan, best known as the singer for junior boys, presents his debut solo productions on caribou/daphnis jialong label. apparently the first of a few 12 inches for greenspan this year, this 1st edition is a stripped-down disco dedication. a-sides >crown princess< works with a paucity of elements - hi-hat/kick pattern and trickling, silvery arpeggios with a clear streak of jbs melodic magic. flipsides >guu< is more experimental, sounding something like a berghain residents offbeat b-side reduced for more hypnotic indie/disco appeal. another good twelve from this limited imprint - get in while you can.

2012repress - unreleased track from kerri chandlers + remix by ben klock (bpitch control) sebo k thanks for the tunes. bomb! full support dino &terry (crash records) the ben clock remix is the finest piece of ass shaking house music released on deeply rooted in 2008!!!!! prins thomas loving the kerri chandler track! needs to be pitched a little bit down to give it some extra swing , ) marlon d fresh ! . digging the remix ben klock did on pong . will be charting this on my next playlist, thanks terry farley im lovin the kong remix , moody as hell ... in a good way of course & more

render obedience pack for a special price.. contains ro002, ro003 and a big i play vinyl sticker. incl finest house to techhouse tracks by lula circus, maiki & angelo draetta, picx, yofunk and nasty boy!

vinyl part 1 of 2! we like this series sooo much.. so we are happy that we can offer you the vinyl release. we want to say thank you and see you soon. first a look back, and of course, the show must go on... a wonderful 2011 year full of delights in the groove we leave behind. on the occasion of the 5zig compilation the cooking has gone positively viral. the accompanying tour stretched a lot of muscle fibers. now we aim a sweeping blow in the form of a collection as a gift, with new music for the future. we are attempting naturally through >excess of beatrhythms, to stimulate the youth to excess<. whether this excess is manifest in the head or the legs is for each to decide for himself. carefully-crafted beat-music with electronic attachments are delivered to you.

once a distant message written in the stars, the wisdom of soul clap has been beamed down to earth in the form of efunk - everybodys freaky under natures kingdom - their debut album on wolf + lamb presents: the singles.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

this is the third release brought to you by leipzigs vinyl imprint o*rs. 1700 features two exclusive tracks and two vinyl re-issues. 1700 is limited to 300 copies and comes on hand numbered transparent orange vinyl.

matador is a dublin based dj,live performer and producer who has been releasing his own twisted but organic take on techno for the last four years. late last year came the huge kingswing ep on minus and now this spooks ep sees him step-up once again for a 5 track outing which balances his usual melody with a real techno drive. the title track opens proceedings with predatory, roughshod bass tone running underneath blippy melodies, snappy house influenced percussion and a dark male vocal where kenekt is all out sci-fi weirdness.spiralling space ships, undulating basslines and plenty of well-defined percussion all add up to a snaking track that really works its way under your skin.on the flip,b1 bambam is the most heads down and streamlined techno offering of them all before klay is the ep closer which manages to bend and drip little melodic droplets down the face of slinky hi-hats and deep,rolling basslines.

shadow dancer is coming back with their 6th release for boysnoize records. paul and al farrier could be considered bnr veterans. with their consistently quality tracks and electryfying live and dj performances they have established themselves as one of top electronic artists around. the new ep is filled with futuristic deep, techno and classic electro (yess electro!!) sounds and the good stuff you need to get down to the floor. second city & jamma show their pure manchester warehouse style, where mashine code goes totally old-nu-school doppeleffektish and when we heared voice tracer we imediately thought of raster noton. thank you shadow dancer! the 4 track ep will be available on vinyl and as a digital download on the 16th of april. out on boysnoize records, april 16th 2012

including sjus get on down mix by glenn underground and boo williams.

nice price deal !!! full cover art & and download code included!4 track instrumental 12 inch from l.a based via portland producer devonwho. sun drenched synths and g funk vibes are the order of the day here. tip!! strangebrew and sleet zip along with their low-slung bass and melodic purple keys while on the flip cactus takes the pace down a bit. slow jamz with a fast feel, these three rolling 4-4 workouts are rounded off with a fresh rework of the title track from fellow west coast funakateer - bay area’s b bravo.

after countless collaborations with george in apparel music is consecrate time to this amazing artist with a vinyl. yapacc is a trademark sound that mixes techno and deep so masterful and unique. every breath of his soul shines in his works that transmit to us lot of emotions in one hit, an orchestra that in the song earth race reaches its peak, showing us new worlds, becoming glue wet, wrap around our ears. a magic stamped into the groove. rhythm to dakar is a flight for dancefloor. funky bass takes us back in time, but without losing the essential direction of the grooves fresh and spreadable. alejandro mosso to close delight us using a toll seamples. the culture changes, the rhythm as well, but not the pathos that yapacc has created for this release. alejandro breaks down and reassembled to create a whole new world, parallel but different from the original mix.

our new release has a particular importance in the history of wicked bass, being incidentally both the latest and the first to appear on vinyl. the four-track record comes from our long-time favorite kc wunderkind, huerco s., who evidently grasps his inspiration from literally everywhere, be it uk hardcore, pitched down american vibes, or even modern art. scoring no jack ep with three original tracks and a remix by the us scenes fresh discovery, braille (who is coincidentally one half behind sepalcure), as his first physical release, huerco s. embarks on a far-lying journey with even more to come.
support from: neville watson, locked groove, throwing snow, hackman ...

the 2nd innerbird starts with a huge deep atmospheric house track.permanento is a mental break between bass waves,wild birds in the sky and analog obscenity. life changes on the flip answers the question for banging deep laden techno. it creates the illusion of walls breaking down in the panoramabar

a cool limited white label release with tight stripped down hypnotic tracks from eduardo de la calle on this new label from east germany. nordic coolnes combined with a warm spanish latino spirit! uncompromosing 250 copies edition that will find its way to the specialists!

youth invasion muzik launches their label with some down rite funk. yi muzik from the minds of a small club in ibiza? negru is a monster,at least thats what ciudovishte translates to. this ep is no different. monster techhouse missiles& rooted grooves with the yi muzik vibe. more to come.

the new ep from memoria comes from fast-rising romanian producer vid whose previous outings have come on labels including fear of flying and barraca music. vid (vidum) aka sorin rastoaca is a producer obsessed with nature and organic sounds. his latest release >rebirth<, is stripped but not light on feeling, and mines a vein somewhere between deep house and minimal techno. etime is a fluttery, eerie cut that works on many subtle layers. like the feathery minimal percussion of villalobos, the romanians sounds present like flapping butterfly wings as a kick drum punches out a varied pattern below. poem is a little louder and bolder, with a firm rolling kick drum and drunken, wubby sounds running right through its core. plenty of sonic details flesh out the languorous but slightly tribal groove. rebirth is again about little tiny details and how they evolve with time, but the framework they inhabit this time is deep, late-night house with gentle tinkles on keys coming over like a fluttering candle in the dark. 3729 gets its head down and mines a shifty, itching and tight minimal groove, closing out an ep which shows vid to be a master of working minimum sounds into maximum effects.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties.the record kicks off with collaborative recording and title track melting process, a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners.this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio the gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders. roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties. the record kicks off with collaborative recording and title track melting process a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners. this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio he gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders.roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

012 seems to be jordan peak’s year! he will set up his own label and has remixes out on top class labels like 2020vision, real tone and ibadan.
>minor details< is another top production from up and coming uk producer jordan peak. with releases on quality labels like tsuba, robsoul, one records or area remote, this new release is another solid offering from the talented youngster. the original version of >three one two< is a percussive yet deep club track, whilst the julien sandre remix adds more pump with its rugged acid bassline. >got soul< is stripped down and raw, a trademark of jordan s work and thats what we like. nick lawsons remix takes the track in a smoother direction and completes this well balanced ep.

yellow machines latest release brings us into futuristic sci-fi territory with four slabs of bass heavy electronics. scanones original track >andromeda< is pure science fiction electro, where thumping drums collide with hoovers and twisted emotive space melodies. radioactive mans remix cuts straight to the chase with a full on robotic electro bass workout with wonky undertones, guaranteed to smash the floor. adjs remix is stripped back, intelligent and heavy, with intricate glitch patterns denoting uality future music. finally, sync24s remix is a minimal, dark and menacing beast, demanding heads down in the crowd, and watch out for the sub.

limited white vinyl !!

originally recorded for chris blackwell of island records the rights of ‘life of contradiction’ were then given to joe higgs who released the album in jamaica and the u.k. in 1975. it was immediately obvious that this was a unique collection coming from a completely different direction to the other reggae releases of the period. although joe had first recorded some of the songs in the early sixties for studio one it was as if he was at last able to realise a vision of his own music that had previously been denied to him: either by financial constraints or from not having the right situation with the right musicians.

disco mali! sofrito present a unique slice of afro-disco from the celebrated griot, niama makalou, recorded in the late 70s.
descended from a family of griots (traditional malian praise singers), niama makalou moved to france in the mid 70s where she cut this, her one and only vinyl release. at the time paris (like much the rest of the world) was swept up in disco fever, so along with a group of malian musicians the date was set to cut a piece of disco, griot style. the resulting mixture of off kilter hand claps, raw string arrangements, balafon flourishes and bambara vocals combine with a heavy disco groove to produce a one-off piece of cross-cultural dancefloor mayhem.
on the flip daphni (aka caribou) crafts an extended version that distills it into a stripped down and dubbed out groove.

anspruchsvoller, melodischer us-prog-pop-rock, mit klarem fokus auf die instrumentalparts, zeitgenössisch interpretiert, klassisch vorgetragen, von meistern ihres fachs. beschwingte, kompositorisch ausgefeilte gute-laune-lieder für alle lebenslagen.

tom morello is an original member of the rock bands rage against the machine and audioslave, two artists responsible for multiple grammy awards and a combined 30 million albums sold worldwide.

headphone with mic fools gold edition - the tma-1 is about to take on brand new features, colours, logos, the works, a-trak’s brooklyn-based label let their characteristic, electronic, hip hop panache and dj expertise flow through the stripped down, iconic curves of the renowned dj headphone.

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

perfect pop and rock edits from down under continuing the caliber of smash hit releases on foot & mouth and kojak giant sounds.

part one of session victims haunted house of house sampler is already going down an absolute storm with the likes of dop, james teej, catz n dogz and tornado wallace declaring it >superb<, >inspiring<, >fantastic<, and bloody ripping, respectively. nows the time for part two containing four more cuts of the good stuff and by now you know what we are talking about here, deep, sample-heavy, rough around the edges but smooth in all the right places. basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of pork recordings as it will to the hip young vinyl heads with a nose for anything disco. enjoy, support and keep them peeled for the final installment part three coming very soon

for a blink of an eye shhhh leaves the mystical and foggy output to open its doors for floorburning loopfunk with a gypsy taste by no one else than german techno�producer sascha muller, an experienced senior in electro�scene releasing his infinite creative output for some decades now. starting with the main theme >sommernachtstraume< (summernight dreams) and a video with handmade moulded plasticine characters it burns down the romanian street credibility at first glance. an additional remix by bluff with reminiscences to ancient hypnotic techno music as celebrated in cologne mid 90s closes the a�-side while a new confusing journey starts on b�-side. with its two hypnotic big city nightlife classical electro pieces >bangkok< and >future punk part ii< the soundtrack returns again and reveals a soft carpet full of robotic cyberpunk maelstrom for dancers and listeners after 6a.m. we welcome another new unexpected artist on shhhh, stating that eclecticism is not a bad word, but a desired place to be.

brilliant groovin hypnotic tech house

the long awaited dubplate anthem is here! as soon as we at ns-hq heard >drum track<, we knew atlantas helix would fit right in around here. his two main obsessions are old grime and looping hypnotic berlin techno. and it shows, as both collide here to produce the ultimate rhythm track. this is anthemic 8 bar techno, or sublow gone hands-in-the-air raving. this trak destroyed every festival we played at last summer. this is super-stripped down, poised club music - exactly what night slugs is all about. on the flip, we are honoured to have one of our all-time favourite mic controllers flirta d bless drum track with his >no hook no bs< version. known best for such grime bangers as slks >hype hype< and his own >warp speed<, flirta brings that unique sound-effects laden flow to the riddim like its 2004 again and triumphant rave anthems are going off once more.